Gelb was intrigued when he saw “Gentleman’s Guide” live and images of “Ghosts.”įor “Samson” the director was intrigued by an Edward Steichen photo of Gloria Swanson in black lace. Those led to a 2015 staging of John Corigliano’s “The Ghosts of Versailles” at the LA Opera. He directed opera at regional companies early in his career, then focused on Shakespeare and other theater but returned to opera for James Conlon’s recovered voices project in Los Angeles dedicated to composers whose music was banned during Nazi domination of Europe. Tresnjak became artistic director of San Diego’s Old Globe Shakespeare Festival from 2004-09 and started in 2011 as artistic director of Hartford Stage, a job that will end after the current season. Meya, the fourth General Director of the Santa Fe Opera, assumed the helm of the organization in 2018 following a seven-year tenure as Director of. “So the press showed up to Williamstown and they showed up for my play,” he said. Simultaneously, Academy Award winner Gwyneth Paltrow was portraying Rosalind in Shakespeare’s “As You Like It” in the house. He first gained wide attention for his 1999 staging of Tom Stoppard’s “Rosencrantz and Guildenstern Are Dead” at Williamstown Theatre Festival in Massachusetts. “It’s a good thing to win a Tony award, because you get meetings that you might not have had before,” Tresnjak said. He will return to the Met in two-to-three years for the world premiere production of Matthew Aucoin’s opera adapting Sarah Ruhl’s play “Eurydice,” a co-commission with the LA Opera. Freedman, and next summer Tresnjak goes to the Santa Fe Opera to direct the world premiere of Paol Ruders’ “The Thirteenth Child,” a fairytale inspired by the Brothers Grimm. His season includes the May premiere in Hartford of “The Flamingo Kid” with music by Scott Frankel and book and lyrics by Robert L. tour starting next month plus additional versions this fall in Stuttgart, Germany, and the Netherlands. His staging of the musical “Anastasia,” which opened on Broadway in 2017, has a Madrid production and U.S. Now 52, Tresnjak is best known for “ A Gentleman’s Guide to Love and Murder ,” winner of the 2014 Tony Award for best musical. “We must have a real collaboration with the director.” ![]() “I think it was ridiculous to do that and I didn’t accept that and we made it in another way,” he said. Alagna said director Alexandra Liedtke wanted a similar approach at the Vienna State Opera last May when he and Garanca sang their roles debuts. He is indebted to many mentors and teachers, including Ken Noda, Margo Garrett, Jonathan Feldman, Brian Zeger, Diane Richardson, Sylvia Wang, and the late Carolyn Hague.Michieletto had Samson cut his own hair and gift it to Dalila. Raskin is a graduate of the Metropolitan Opera Lindemann Young Artist Development Program, The Juilliard School, and Northwestern University he also trained at the Aspen Music Festival, the Middlebury College Language Schools, and in Vienna, Austria. As an educator, he has taught diction classes at The Juilliard School and classes in art song at the Merit School of Music in Chicago, and coached for the Lotte Lehmann Academy. ![]() Raskin has been recently seen with singers in important venues in South Korea, Washington D.C., Santa Fe, and New York City. He has prepared operatic productions for LA Opera, Wolf Trap Opera, Berkshire Opera, the Philadelphia Orchestra, the Chautauqua Institution, and the Castleton Festival, among others.Īs a frequent recital partner, Mr. He is also an assistant conductor at the Metropolitan Opera, having joined the roster for 2019’s Ring Cycle, and served as the staff coach for the Lindemann Young Artist Development Program. American pianist Nate Raskin is a member of the ensemble of Oper Leipzig.
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